Sculptor1 wrote: ↑May 7th, 2020, 4:30 amBeethoven has always been top of line with me since my pre-teens though I rarely now listen to his symphonies or concertos, in short, his orchestral works. You couldn't play a single movement of any of them without my knowing immediately what it is and usually also the key and opus no. Instead I listen mostly to his instrumental and chamber works which constitute by far his largest output which is also his most personal and profound.Jklint wrote: ↑April 16th, 2020, 8:29 pmI adore his Saraband.
Kind of ironic isn't it. Universally considered as one the greatest composers of all time yet no one really wants to listen to that choral droning for long. So what do you think of Handel, the other giant of the baroque though not quite considered his equal?
But once you have Beethoven you have most of what you need.
The composer I could never distance myself from is Wagner. His works at best are of a nature almost metaphysical in sound. Listening to it I sometimes wonder how a human brain could manage it and how it blends with the story by means of the Leitmotiv. Evidently I'm not the only one who has those reactions.