Re: Why Believe in a God when It is Impossible to Prove?
Posted: August 20th, 2019, 6:31 am
Belindi wrote: ↑August 20th, 2019, 4:39 amDo you mean de re or de facto? I have to object again. Much of the most skill-less art can relate to society, tragically.Sculptor1 wrote: ↑August 19th, 2019, 12:33 pmI meant and would better have written 'conceptual art relates to society if the maker is skilled and uses his skill to convey meaning.'
Whether or not art is antisocial cannot in any sense be related to the skill used by the artist.
Art being antisocial has to hinge fully on the content and meaning, both of which are only very obliquely related to the skill needed to convey meaning, not to the actual meaning.
If we were to take what you are saying at face value is that a good skillful artist is not capable of making a piece of antisocial art; or that a skill-less artist could only make antisocial art.
If this were not so conceptual art or any art style would be meaningless because meanings are cultural, not private.
Second sentence is a non sequitur.
You are still trying to link skill and meaning. If all you mean by skill is the ability to create cultural meaning, then you are just conveying a tautology. However I do not think skill can be relegated to such a thin definition.
Some of the most skilful art can be utterly meaningless to society. That does not mean it is meaningless to the person of the artist. By contrast accidental art can attract lots of meaning:
1) I can show you the very most skilful sculpture of a portrait of an unknown person - the societal meaning of which is nil, since the person is unknown. But there is no doubt that the skill of catching a likeness of the person is utmost.
2) By contrast, a skilless graffito can have bags of social meaning. Meaning that can be achieved completely unintentionally.