Value wrote
I've noticed your arguments with regard suffering and its foundation for ethical absolutism. Can you please explain how you would relate to the views of Schopenhauer.
His descriptions scare the hell out of me, and this should be the same for everyone. But then, it is not ME who is the victim, for the most part, because I live in a fairly comfortable world. I have health insurance, ibuprofen, entertaining distractions (which is what Levinas was on about in his critique or Art--art is an absorbing distraction, and when we are absorbed like this, we slip into "fallenness" a concept of Heidegger's: people live their daily lives in a mostly routine and familiar state of existence, an "inauthentic" state. Authenticity is about realizing your freedom and constructing your life in full awareness. Art, Levinas says, is a turning away from this freedom. I agree and I don't agree. It is complicated), etc., so why should I FEEL anything about the misery of others? Well, for the most part I don't. Like everyone else, in order to live with any contentment at all, I have ignore Schopenhauer! Only in times of radical awareness do I summon the horrors of the world to mind, and when I do, it is not simply terrifying. It is beyond this, for it is terror without an object. A "nothing". Take a look at Michel Henry's thinking in "The power of revelation of affectivity
according to Heidegger". You might find this illuminating:
As with Scheler, so also the thought of Heidegger is characterized, in
counter-distinction to classical philosophy, by the importance which it
accords to the phenomenon of affectivity ontologically grasped and interpreted
as a power of revelation, as well as by the fundamental meaning
which Heidegger's thought recognizes in it. This meaning is immediately
apparent and shows itself in the fact that affectivity is not merely taken
as a power of revelation in the ordinary sense of the word, a power of
revealing something, this or that thing, but precisely the power of revealing to
us that which reveals all things, namely, the world itself as such,
as identical to Nothingness. The fact that the fundamental ontological
and peculiarly decisive meaning of the power of revelation peculiar to
affectivity most often remains unnoticed and does not call it in question
merely shows that this power is in principle indifferent to the manner in
which thought understands and habitually interprets it, to the manner in
which the subject understands himself, the subject who experiences a
feeling and then interprets it in order to hide its true meaning and what
is in each instance agonizing in this meaning
Such a powerful statement. We live our lives, even when we think about the world of suffering explicitly, as if all of the horror were in place and understood, duly categorized. We may be emotionally jolted by the idea or sight of someone being eaten alive by a tiger, but this is then pushed aside and reduced to a category of understanding which "normalizes" this kind of thing, as well as the world in general. Henry says, "the fundamental ontological and peculiarly decisive meaning of
the power of revelation peculiar to affectivity most often remains unnoticed," and then, "the subject who experiences a feeling and then interprets it i
n order to hide its true meaning and what is in each instance agonizing in this meaning."
What is this "hiding" about? Authenticity. Inauthenticity (which Heidegger holds to be simply basic to our existence) does not step back into a Schopenhauerian pov. In this, interpretation confines and localizes. Henry continues:
Nevertheless, in anxiety this meaning appears: 'Anxiety is the fundamental
feeling which places us before Nothingness', thus opening to us
the Being of everything which is, for 'the Being of a being is
comprehensible . . . only if Dasein, by its very nature, maintains itself
in Nothingness'. That anxiety places us face to face with Nothingness
and thus opens Being itself to us
This "opening" is all Heidegger: The meaning of language is OPEN. Meanings are all open interpretatively. Think of the familiar term qualia, which analytic philosophers use to refer to the pure phenomenon, a "being appeared to" kind of thing. Most think qualia is a vacuous notion because there are no true propositions that can be said about it. The moment you speak it, it slips away from purity into a context. But these philosophers aren't willing to see that when it comes to affectivity (and to the broad range of Value experiences) there is more than vacuous qualia here. Henry is saying this: when suffering and affectivity and this entire dimension of our lives is categorized and understood (interpreted) in normal ways, as when a National Geographics commentator calmly relates how the wildebeest tries to elude the lion as its flesh is being torn apart, we are in an inauthentic mode of existence (which is common and necessary). In an authentic mode, we face the "nothingness," which amounts to understanding that these horrors issue from BEING, and this is PRIOR to any interpretative context at all! "The world" "does" this; and this "world" is close to Wittgenstein's Tractatus:
It is not how things are in the world
that is mystical, but that it exists….
Feeling the world as a limited whole—
it is this that is mystical
And in the world (in this account in the Tractatus),
It is clear that ethics cannot be put
into words.
Ethics is transcendental.
(Ethics and aesthetics are one and the same.)
(He could have used the terms 'metaethics' and 'metaaesthetics'.) This term "mystical" is aligned with Heidegger's "nothing". Stare up at a starry night, and intruding thoughts at bay, and inevitably one will feel a certain unease, the notorious existential "anxiety" or "dread" that has no object!, for normal categories of interpretation lose their efficacy to interpret. Allow this to continue, and read Kierkegaard and Heidegger, then this reveals a dimension of our existence unseen.
So this is where Henry makes his point. Take the fear of the being attacked by a hungry lion, which is in pursuit of you:
The discovery of fear is inauthentic, it takes place
according to the mode of Verfalien (inauthenticity). By this we must understand that
fear guards against a being which it fears and not against its origin,
namely, against the world as such; in fact, it hides from this, from the
origin of all fears behind a being which it attends to. Attention to a
being presupposes the discovery of the world and moves about in it. The
inauthenticity of fear is a mode of this discovery, a mode of anxiety and
its disguise.
Disguise?! Disguised is this "origin" or Being-as-such. The lion, and us, and everything, is dealt with in the everydayness sense as familiar and explicable. But authentically speaking, and not Verfalien---our everydayness so automatic and oblivious, but authentically, when we lift our heads to the clarity that comes when we stand apart from familiarity, here, we understand Schopenhauer.
But the other shoe has to drop, and Schopenhauer does not make this move (as I have read). Observe the ethical world around us. Qualitatively, what is pain (you know, discomfort, misery, inconvenience, annoyance, and all that falls under this idea), and here the question is asked IN the INauthentic mode, the usual, the ordinary. It wears its nature on its sleeve, plain to see. This is bad, we call it; ethically (or aesthetically, per Wittgenstein) bad. This
qualitative ontology witnessed by us in the usual way is REALLY (see Henry above), in the authentic mode, unchanged in its nature, but only
interpretatively changed. We now see it belongs to transcendence, and the ethicality that is constituted by this qualitativeness of experienced good and bad retains its commanding force! In other words, Our ethics is God's ethics (if you will)! To be stuck in a moral dilemma whether or not one should steal or cheat of help or defend, and so on is grounded in eternity, so to speak.
And this puts us squarely in religion. And Levinas is here.