Steve3007 wrote: ↑November 20th, 2020, 4:48 am
Jack D Ripper wrote:How dare you insult such a man! He is not some poseur. He actually helps people when he is 100 years old. "Modern artists" generally are just parasites. (As are the people who profit from them, who are also generally con artists.) You should apologize to him for insulting him with such a vulgar comparison. He is vastly better than these "artists"....
Fair enough. You're entitled to your opinion. How far through the art world do you extend it? For example, Michelangelo and others were sponsored by the Medici's. Would you regard that as a similar con artist <> parasite relationship? If not, where do you place the cutoff? Do you base it on your opinion as to the amount of technical skill you believe to have been necessary to create the artworks? Many do. Or do you base it on the amount of help that the individual's efforts give to good causes? Captain Tom raised money for the NHS but Michelangelo's artwork on the ceiling of the Sistine Chapel didn't, as far as I know, help in any similar cause. Self indulgent parasite?
Okay, there are two different issues here. One is the usefulness of the action. So, with Captain Sir Thomas Moore, his actions resulted in raising significant amounts of money for a good cause. Now, I have not studied the case, but I do not recall him ever making the claim that what he was doing had any artistic merit. If that is the case, then it would be wrong to accuse him of pretentiousness in this.
The fact that you likened what he was doing to modern art is really, in my opinion, a condemnation of modern art. What he did, that had no artistic merit, is like modern art. Much of that, like Captain Tom's walk in his garden, has no artistic merit.
With that, I have drifted into the second issue, the matter of artistic merit. With that, we are getting into the troublesome issue of aesthetics, and what, exactly, "artistic merit" is. If we look at your example of Michelangelo, what he did took skill; not everyone could duplicate what he did. (I do not recall him claiming that it would do anything else; so it not raising money for a good cause is not a criticism of it, as that was not the goal.) Of course, there can be some importance to being the first to do something, to be the one to come up with the idea, but that is only relevant when the idea is a good one and is worth doing. Being the first to have a bad idea is nothing to brag about.
Now, I do not want to get into the issue of what, exactly, constitutes art and what artistic merit is, as it would be a troublesome (and probably lengthy) discussion. But I will provide an example of the absurdity of modern art, that people cannot tell the difference between it and something else:
{quote]Pair of glasses left on US gallery floor mistaken for art
Teenager leaves spectacles on floor of San Francisco’s Museum of Modern Art as a prank, leading some to think they were an exhibit[/quote]
https://www.theguardian.com/us-news/201 ... en-for-art
Compare that with a banana taped to a wall:
https://theconversation.com/the-value-o ... ork-147689
The fact that one is a joke and the other is supposedly art, and, if one had not been told which is which, one would almost certainly have a difficult time determining which was supposedly real art and which was just a joke, tells us that modern art itself is a joke, not something to be taken seriously.
Modern art has become a joke, not because everything artists make today is a joke, but for the same reasons that the Sokal Hoax was possible:
https://physics.nyu.edu/sokal/weinberg.html
https://www.theatlantic.com/ideas/archi ... ax/572212/
Not everything in academia is a joke, but a significant portion of it is, as that hoax illustrates.
Perhaps I should be calling this a problem with "postmodern" art, as the ridiculous and nonsensical verbiage attached to these things is a significant part of the problem. People literally take nonsense seriously, imagining that it is something profound because it is difficult to understand. In the art world, once one attaches such nonsense to something, it becomes "art". The thing itself isn't anything special, like a banana duct taped to a wall. The "art" is in the con, in the sell of the nonsense. It is really like
The Emperor's New Clothes:
https://andersen.sdu.dk/vaerk/hersholt/ ... hes_e.html
The thing is of no importance in the modern art world; it is the verbiage, the sell, the con, that creates it and makes it, so that some idiot is willing to pay $120,000 for a banana duct taped to a wall.
Modern art is such a joke, it is impossible to parody, as it is already as ridiculous as it is possible to be. That is, one cannot tell the parody from what is supposedly real art. That is how we can know that the emperor has no clothes.
"A wise man ... proportions his belief to the evidence." - David Hume