Steve3007 wrote: ↑July 16th, 2020, 4:58 am
Greta wrote:Trying to appreciate music in such an environment is like going to the Sistine Chapel in peak tourist season to soak up the spiritual nuances of the murals.
Yeah, but I guess people don't go to appreciate the spiritual nuances. They go for similar reasons to why people (used to) go to churches and cathedrals. To worship their gods in the greatest splendor that contemporary architecture can manage. When I saw The Rolling Stones at Wembley it felt a lot like that. We got talking to a French girl who'd followed the tour all round Europe, seeing exactly the same performance over and over again. It's interesting how many obsessives like that there are when it comes to music. (The friend who persuaded me to go to that gig was one of them). When I recently went to a local pub to see a The Smiths tribute band (called The Joneses) it was an altogether different experience. But, then, I suppose I was worshiping a false god and Morrissey might strike me down with a bolt of lightening.
I can small the ozone, Morrissey is a nut case!
I've an old friend, John, that started a Bowie tribute band. He's often to be seen in a small club in Brighton
The Komedia. An on and off member of the band is Ralph Brown (Camberwell Carrot Withnail and I), who is a great saxophone player.
The atmosphere in that club is absurdly electric. Every person in there is singing along, and the performance is energetic and faithful to the originals. I've never felt anything quite like it in a larger hall. Scale is important. I doubt Bowie himself could have done much better in a larger venue. If you want to feel the sweat this is the gig.