Greta wrote: ↑August 25th, 2019, 4:01 pm
Hinduism had three big guys, the creator, the maintainer and the renewer.
Yes, three big guys, but beyond them their creator is Mahadevi, the Great Goddess, primarily known as Kali. It is Kali that created both the gods and the material world. Here is a dropbox link to a pdf of David Kinsley's Tantric Visions of the Divine Feminine -
https://www.dropbox.com/s/urfk7bz0cu9ff ... s.pdf?dl=0 .
Here in Kathmandu there are many temples to Kali and they are well attended by devotees.
What you are dealing with here is a political problem. Tantra is that part of Hinduism that scandalized those British colonizers. Back then and even today, any upper class Hindu who wants to get along well with and get a good job from Westerners must deny that Tantra is a real part of "good" Hinduism. He will say that it is just village superstition, not rational and scientific like the male gods of elite Hinduism.
Here's an excerpt from that book.
The Black Goddess
She is the terrible one who has a dreadful face. She should be meditated
upon as having disheveled hair and a garland of freshly cut human heads.
She has four arms. In her upper left hand she holds a sword that has just
been bloodied by the severed head that she holds in her lower left hand.
Her upper right hand makes the gesture of assurance and her lower right
hand, the sign of granting favors. She has a bluish complexion and is lustrous
like a dark cloud. She is completely naked, and her body gleams with
blood that is smeared all over it from the garland of bleeding severed heads
around her neck. Her ear ornaments are the corpses of children. Her fangs
are dreadful, and her face is fierce. Her breasts are large and round, and
she wears a girdle made of severed human hands. Blood trickles from the
corners of her mouth and makes her face gleam. She makes a terrible sound
and lives in the cremation ground, where she is surrounded by howling
jackals. She stands on the chest of Siva in the form of a corpse. She is eager
to have sexual intercourse in reverse fashion with Mahakala. She wears
a satisfied expression. She smiles.1
She is lustrous like a dark cloud and wears black clothes. Her tongue lolls,
her face is dreadful to behold, her eyes are sunken, and she smiles. She
wears the crescent moon on her forehead and is decorated with serpents.
She drinks wine, has a serpent as a sacred thread, is seated on a bed of
snakes, and wears a garland of fifty human heads that hangs all the way
down to her knees. She has a large belly, and the thousand-hooded serpent
Ananta looms above her head. Siva is present as a boy beside her.
She makes a loud, laughing sound, is very dreadful, but bestows the desires
of the aspirant.-
68 KALI
She is like a mountain of collyrium, and her abode is in the cremation
ground. She has three red eyes, her hair is disheveled, and she is awful to
look at because of her emaciated body. In her left hand she holds a jar full
of liquor mixed with meat, and in her right hand she holds a freshly severed
head. She is eating raw flesh, she is naked, her limbs are adorned with
ornaments, she is drunk on wine, and she smiles.'
Although the order, number, and names of the Mahavidyas may vary, Kali
is always included and is usually named or shown first. She is also affirmed
in many places to be the most important of the Mahavidyas, the primordial
or primary Mahavidya, the ^/Mahavidya.4 In some cases it seems
apparent that the other Mahavidyas originate from Kali or are her differing
forms. In one of the accounts of the origin of the Mahavidyas as
a group, it is explicitly stated that they arise from Kali when Siva wishes
to leave her.5 In the origin account given in the Mahdbhdgavata-purdna,
Sati takes on the form of a goddess who resembles Kali before actually
multiplying herself into the ten Mahavidyas. Although Kali is not specifically
named, Sati first turns into a dark, frightening, naked, four-armed
goddess with disheveled hair and a garland of skulls (which is just how
Kali is usually described), and then creates from herself the other forms.6
Furthermore, in early accounts of Sati's confrontation with Siva over her
right to attend her father's sacrifice—accounts in which the Mahavidyas
do not appear—Sati does turn herself into Kali and in her Kali form convinces
Siva to let her go.7 The Saktisamgama-tantra proclaims Kali's priority
explicitly: " A l l the deities, including the Mahavidyas, Siddhi-vidyas,
Vidyas, and Upa-vidyas, are different forms that Kali assumes."8
Kali's place as the primary Mahavidya, the first among the goddesses,
is reinforced by the fact that she lends the group as a whole her own characteristics.
Her character, attributes, and nature are shared by the others.
She is typical, perhaps even paradigmatic, as the ddi Mahavidya. And
her symbolic meaning, I think, often helps to uncover the meaning of
some of the other goddesses in the group. As we shall see below, according
to some interpretations Kali reveals or symbolizes the ultimate goal suggested
or implied in the other Mahavidyas. She completes the others, as
it were.