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Readers have to identify thousands of little marks on paper, and make sense of them immediately. They have to read, an art so difficult that most people don’t really master it even after having studied it all through grade school and high school — twelve long years.Similarly, my mother was a writer and my favourite advice of hers was, "Murder your darlings", to remove any clever turns of phrase or awesome words if they do not further the flow of the piece. As with playing music - it is more appealing when artists aim to create something beautiful or interesting than to just express or impress, which both tend to bore people.
So this discussion must finally acknowledge that our stylistic options as writers are neither numerous nor glamorous, since our readers are bound to be such imperfect artists. Our audience requires us to be sympathetic and patient teachers, ever willing to simplify and clarify, whereas we would rather soar high above the crowd, singing like nightingales.
Felix wrote: ↑July 4th, 2019, 11:30 am "I've been jotting down my opinion of these things and have come to a realization that I know almost nothing worth writing about"Ideas always get repeated. Even though they seem endless there's a finite amount of them. What may be new depends on their interpretation. Music is the best analogy. One can take a trite little theme and build a massive complex of variations creating new and distinct ideas of their own in the process. In much the same manner, writing causes known and even age-old ideas to mutate into different perspectives of the same idea. We have a limited inventory of archetypes that can be expounded endlessly upon which our whole complex of ideas are based. Writers, composers, thinkers worthy of the name are first and foremost improvisors.
Yes, someone opined that 99.999% of the books in all of our libraries are based on the ideas in the remaining .002% of books, but that is probably an exaggeration, it's more like .00000000000000000000000002%.
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